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" Originally focusing on Sound Poetry proper, UbuWeb's Sound section has grown to encompass all types of sound art, historical and contemporary. Beginning with pioneers such as Guillaume Apollinaire http://www.ubu.com/sound/app.html reading his "Calligrammes" in 1913, and proceeding to current practitioners such as Vito Acconci http://www.ubu.com/sound/acconci.html or Kristin Oppenheim http://www.ubu.com/sound/oppenheim.html , UbuWeb Sound surveys the

entire 20th century and beyond. Categories include Dadaism, Futurism, early 20th century literary experiments, musique concrete, electronic music, Fluxus, Beat sound works, minimalist and process works, performance art, plunderphonics and sampling, and digital glitch works, to name just a few. As the practices of sound art continue to evolve, categories become increasingly irrelevant, a fact UbuWeb embraces. Hence, our artists are listed alphabetically instead of categorically.

UbuWeb embraces non-proprietary, open source media. As such, most of our newer files are encoded in the universally readable MP3 format. However, when a recording is still in print and available, we only serve it in streaming RealMedia; we don't wish to take whatever small profits might be made from those taking the efforts to gather, manufacture and properly distribute such recordings. Instead, we hope that by streaming these works, it will serve as an enticement for UbuWeb visitors to support the small labels making this work available.

All MP3s served on UbuWeb are either out-of-print, incredibly difficult to find, or, in our opinion, absurdly overpriced.
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