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In english
www.ubu.com > hours of great historical & contemporary recordings
http://neospheres.free.fr > kautrock, Improvised & experimental music
www.mills.edu > Center for Contemporary Music, San Francisco.
www.cdmc.asso.fr > Centre de Documentation de la Musique contemporaine
http://homestudio.thing.net > This Review is carried out in partnership with the Studio Son AudioLab of the Villa Arson in Nice France and follow-up by professor Jerome Joy.
These documents result from researches led and for the majority have been recovered since 1996.
http://emfinstitute.emf.org > history of innovation in music and sound
www.obsolete.com/120_years > 120 Years of Electronic Music Electronic Musical Instrument 1870 - 1990
www.hertz-lion.com > Experimental Music Chronicled
www.newalbion.com/artists/cage > john cage ressources
www.medienkunstnetz.de > an overview of media art -audio
www.philipsherburne.com > philip sherburne’s blogs
www.novamara.com > Katharine Norman
Eight Literary Excursions through Electronic Music
/www.errantbodies.org > creating conversation with a view toward wedding artistic practice and forms of cultural space
www.parachute.ca > Edito & articles from the ELECTROSOUNDS issue of Parachute
www.novamara.com > Katharine Norman
Eight Literary Excursions through Electronic Music
http://home.flash.net > john cage online ressources
www.thesoundprojector.com > exerpts from The Sound Projector magazine
www.sonic.mdx.ac.uk/research.htm > research papers
www.phinnweb.com > history of electronic music - links
www.sysx.org/soundsite/texts/hear.html > Can you hear me? What is sound art? Nicholas Gebhardt is saturated with SoundCulture in San Francisco
www.mti.dmu.ac.uk/EARS > The ElectroAcoustic Resource Site (EARS) project has been established to provide resources for those wishing to conduct research in the area of electroacoustic music studies.
www.theremin.info > All about Theremins
In spanish
www.ccapitalia.net > El Arte Sonoro. Hacia una nueva disciplina...
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En F rançais
www.arpla.univ-paris8.fr > Fabien VANDAMME (Paris 8) et Anthony KEYEUX (Hypo) présentent des liens vers La musique électronique in et hors arts plastiques
www.irma.asso.fr > Tout sur le musique actuelles
www.bgm.org > Médiathèque Musicale Malher
http://mac-texier.ircam.fr/index.html > Médiathèque IRCAM -Les dossiers des compositeurs contemporains
http://mediatheque.ircam.fr > Médiathèque IRCAM -Les dossiers des compositeurs contemporains
http://mediatheque.cite-musique.fr > Catalogue de la Médiathèque Pédagogique - Cité de la Musique
www.synesthesie.com > liens & biographies
www.ina.fr/grm/presentation/mots.fr.html > Les mots du GRM: Musique concrète, électronique, expérimentale, électroacoustique, acousmatique… Ces mots scandent le parcours du GRM, et leur histoire est quelque peu complexe. Sans vouloir trop la simplifier, ni surtout la fermer, quelques repères…
www.ina.fr/grm/acousmaline/polychromes/index.fr.html > Les sites Portraits Polychromes mettent l'accent sur une oeuvre emblématique de la démarche d'un compositeur. Cette oeuvre est le point central sur lequel vont graviter des éclairages et commentaires annexes
www.comm.uqam.ca > Le vocabulaire des arts médiatiques
http://didac.comu.ucl.ac.be/Langages_sonores> Cours d’analyse des langages sonores 2003 (Thierry De Smedt)…
www.webdeleuze.com > Les cours de Gilles Deleuze
www.revue-chimeres.org > Autour de Felix Guattari
http://sylvainmarquis.music.free.fr > Doctorant en musicologie - sociologue
www.d-i-r-t-y.com > textes , interviews, mix...
www.erudit.org > Promotion et diffusion de la recherche universitaire
www.cvm.qc.ca/cdemestral > Site pédagogique de Charles de Mestral, professeur de philosophie et de communication au Cégep du Vieux Montréal, programme Arts et lettres / Communication : Critique des médias - Communication sonore - Pensée chinoise
www.xlcc.be/vollevox > La voix de Bruxelles...
Find More related links in the Webdata
section |
The following terminology
is a non-exhaustive one.
Each word or phrase, defined briefly, is a link towards related essays
or articles written by journalists and academics for vibrofiles.com or
published on other sites. This subjective classification is destined
to initiate a reflection process and facilitate the understanding of
the various genres of sound art.
La terminologie qui suit est évolutive
et non exhaustive.
Chaque mot ou expression, défini succintement, renvoie à des à des
contributions de journalistes et d'universitaires pour vibrofiles.com
ou à des articles publiés sur d'autres sites. Cette classification
subjective est destinée à amorcer des pistes de réflection
et à faciliter la compréhension des genres pluriels de
l'art sonore.
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Acousmatic Music
Acousmatic art, its radiophonic origins. It all began in 1948 when
Pierre Schaeffer, producer for the "Radio d'Essais" in Paris,
used a recording cut in real time on a wax record in an entirely new way.
This was the first "sound object", an object outside of time
...
Read more (In English)
www.sonicartsnetwork.orgl
www.musiques-recherches.be |
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Musique Acousmatique
Terme conçu par François Bayle, reprenant Schaeffer ("acousmatique" :
un son que l'on entend sans voir la cause dont il provient), il crée
l'expression de musique acousmatique, qu'il lance et motive officiellement
en 1973, avec la présentation de son système original de
diffusion sonore baptisé Acousmonium.
Pour en savoir(en français)
www.musiques-recherches.be
www.lamediatheque.be
www.musicologie.org/ |
Ambient
The concept of music designed specifically as a background feature in the
environment was pioneered by Muzak Inc. in the fifties, and has since
come to be known generically by the term Muzak. The connotations that
this term carries are those particularly associated with the kind of
material that Muzak Inc. produces - familiar tunes arranged and orchestrated
in a lightweight and derivative manner. Understandably, this has led
most discerning listeners (and most composers) to dismiss entirely the
concept of environmental music as an idea worthy of attention (...) Ambient
Music must be able to accomodate many levels of listening attention without
enforcing one in particular; it must be as ignorable as it is interesting.
- Brian Eno.
(src : :http://music.hyperreal.org/artists/brian_eno/) |
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Ambient
Bientôt en ligne. |
Amplification
The process of producing an increase in the energy of a sound or an audio
signal. This may be accomplished by means of an electronic amplifier
or by means of an acoustic resonator, such as the sound box of a musical
instrument, an ear-trumpet, etc. Amplification or gain may be measured
in decibels. (Source: Barry Truax - Handbook for Acoustic Ecology CD-ROM
Edition. Cambridge Street Publishing, 1999 - CSR-CDR 9901).
Read more (In English)
www.mti.dmu.ac.uk/EARS/Data/node77.html |
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Amplification
Bientôt en ligne. |
Analog
Analgoue Electroacoustic Music refers simply to the means of production
in the studio or in the performance of Live Electonic Music. Of interest
to Electroacoustic Music Studies is the relationship between the working
methods associated with equipment such as the magnetic tape recorder,
voltage-controlled synthesizer, mixing desk, and the aesthetics of the
music produced by such means. The human-machine interfaces involved in
analogue studios differ enomously from those of a computer, and permit
a diverse range of approaches, from the highly methodical and formal
to the highly physcial and improvisatory. (src : mti)
Read more (In English)
www.mti.dmu.ac.uk/EARS/Data/node77.html
www.spectral-design.com |
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Analogique
Son "continu" (composé d'une infinité de positions)
dont l'origine est "naturelle" : corde qui vibre, bande magnétique,
oscillateur... par opposition au numérique.
Pour en savoir (In English)
www.spectral-design.com/Spectral_Design_english |
Conceptual Art
ALL ART (AFTER DUCHAMP) IS CONCEPTUAL (IN NATURE) BECAUSE ART ONLY EXISTS
CONCEPTUALLY............In Conceptual Art the idea of a work matters
more than its physical representation. Dating from the 1960's, Conceptual
Art has its roots in the early 20th century European arts movement called
Dada as well as in the writings on language and meaning by mid-century
philosopher Ludwig Wittgenstein. (src: artists.org)
Read more (In English)
/www.altx.com/vizarts/conceptual.html
www.the-artists.org/ |
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Art Conceptuel
Henry Flynt utilise pour la première fois en 1961 les termes "Concept
Art" (ce qui n’est pas encore le Conceptual Art) pour intituler
un court essai, publié en 1963 par La Monte Young, représentant
du mouvement Fluxus. Dans ce texte, il est question pour Flynt d’inventer
un art dont le matériau serait le concept et dont la beauté serait
analogue à celle des formules mathématiques. Robert Morris
réalise Card File, une œuvre qui ouvre la voie de l'Art conceptuel.
(src : http://www.centrepompidou.fr/ ).
Pour en savoir plus (En français)
http://www.centrepompidou.fr/ |
Concrete Music
The phrase Musique Concrete was invented by in 1948 by Pierre Schaeffer,
a French radio broadcaster. It involves distorting, editing together
tape-recorded fragments of natural and industrial sounds.
Read more (In English)
www.musespace.com/
http://csunix1.lvc.edu/~snyder/em/mc.html
/www.jahsonic.com/PierreSchaeffer.html
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Musique Concrète
L'expression Musique Concrète a été inventée
en 1948 par Pierre Schaeffer, homme de radio français. Il s'agit
de la distorsion et du montage de fragments de sons naturels et industriels
enregistrés sur bandes magnétiques.
Pour en savoir(en français)
www.olats.org/ |
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